I am a London-based cinematographer working primarily in scripted drama.

Originally from Poland, I moved to the UK in 2016 to study Cinematography at UCA Farnham. What shaped me most, however, was not just education — but experience. I grew up drawing, observing light, studying faces, and trying to recreate what I saw. That instinct to observe and translate emotion visually never left me.

Over the past years I have worked both independently and within high-level camera departments on major productions, learning discipline, preparation, and the responsibility that comes with shaping a film’s visual language. I was mentored by Robert Elswit ASC while working as a DOP Trainee on Bob Marley: One Love, and later continued developing my craft alongside experienced cinematographers on large-scale sets. Those years reinforced my belief that cinematography is not about perfection — it is about intention.

In 2026, I shot my first feature-length drama for television, working with a lean crew and operating the camera myself. The film is currently in post-production. The experience strengthened my approach to preparation, contrast control, and building emotional realism under tight constraints.

My visual style is rooted in contrast, shadow, and restraint. I am drawn to performance-led stories, intimate character studies, and narratives where light becomes psychological rather than decorative. I am not interested in polished surfaces — I care about emotional truth.

I invest heavily in prep: location recces, lens tests, lighting studies. The more work done before the shoot, the more freedom exists on set.

I value collaboration, calmness under pressure, and clear communication. I believe great images come from trust — between director, actors, and crew.

If you would like to discuss a project, feel free to get in touch.